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AMP GEAR

RED Weapon Dragon

The RED Weapon Dragon uses a 19 megapixel sensor capturing 6K 2.4:1 at up to 100 fps. With its large sensor, full resolution, and high dynamic range, it's the perfect camera to capture motion AND stills.

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What's Included?

Our RED Weapon Dragon Camera comes in a robust camera package with the following items:

 

RED Weapon Dragon Forged Brain with 6K Sensor
RED PL to EF Adapter
RED 7″ On-board LCD Monitor
RED EVF Handle
RED Dovetail
RED Quick Release Plate
(4) 512GB mini mags
Mini mag reader
RED Weapon Dragon AC Power
Wooden Camera 18mm rod lens support
Sound: 4-channel mixer, 2 wireless lavs, boom/shotgun mic
Camera Support: Fluid head tripod
Monitor: 8” HD Sony LCD monitor

Tripods, batteries and monitors may vary to accompany availability and different camera models.
All cameras are booked with an AMP certified crew and lighting/grip package. Contact us for details.

Camera Specs

SENSOR
Sensor Type: RED DRAGON 19.4 Megapixel CMOS
Effective Pixels: 6144 x 3160
Sensor Size: 30.7 mm x 15.8 mm (Diagonal: 34.5 mm)
Dynamic Range: 16.5+ stops
Signal-to-noise-ratio: 80 dB

 

RECORDING
Max Data Rates: Up to 300 MB/s using RED MINI-MAG (512GB & 1TB)
Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)
Redcode Raw Max Frame Rates: 75 fps at 6K Full Frame (6144 x 3160), 100 fps at 6K 2.4:1 (6144 x 2592)
96 fps at 5K Full Frame (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160)
120 fps at 4K Full Frame (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)
150 fps at 3K Full Frame (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)
240 fps at 2K Full Frame (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)
Playback Frame Rates (Projet Timebase): 23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions
Redcode Settings (Range from 2:1 up to 22:1): 3:1 REDCODE for 6K Full Frame (6144 x 3160) at 24 fps
7:1 REDCODE for 6K Full Frame (6144 x 3160) at 60 fps
2:1 REDCODE for 4K Full Frame (4096 x 2160) at 24 fps
3:1 REDCODE for 4K Full Frame (4096 x 2160) at 60 fps
Redcode Raw (Acquisition Formats): 6K Full Frame (6144 x 3160), 2:1, 2.4:1, 16:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
5K Full Frame (5120 x 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
4K Full Frame (4096 x 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
3K Full Frame (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
2K Full Frame (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
Apple Prores: 422 HQ, 422 and 422 LT at 4K (4096 × 2160) up to 29.97 fps
4444 XQ and 4444 at 2K (2048 × 1080) up to 120 fps
422 HQ, 422 and 422 LT at 2K (2048 × 1080) up to 120 fps
Avid Codecs: DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps

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